jascha narveson
last updated: January 23, 2012
| In Line (2011) [watch] |
For multiple laptops with tether controllers. Written for Sideband. |
(2010) |
Three movements from a larger work in progress for Dither (NYC-based electric guitar quartet). |
| Burial (2010) | 15-channel sound recording (for the Floating Points Festival at Issue Project Room) |
| Trattoria (2010) | for accordion and bass (for the NYC-based Unusual Suspects) |
Brother, Can
You Spare a Dime? (2010) [listen] |
for soprano, bass clarinet, keyboard, electric guitar,
violin, cello, vibes, and drum kit (for the NYC-based NEWSPEAK) |
[listen] tippy
toe (2009) |
for flute, bass clarinet, electric guitar, piano,
double bass (for the NYC-based NOW Ensemble) |
planet van (2009) |
for three sopranos (written for the NYC/SF-based Celestial Mechanics) |
wire (2009) |
for 2 custom-made Bohlen-Pierce tuned clarinets and Tritavophone (a Bohlen-Pierce percussion instrument), written for and premiered by tranSpectra |
blocks (2009) |
for rebec, flute, and riq |
beepsh (2009) |
for the Princeton Laptop Orchestra (PLOrk) |
[listen] "nice boots" (2008) |
for flute, bass clarinet, electric guitar, piano, double
bass (for the NYC-based NOW Ensemble) |
star car (2008) |
for three sopranos (written for the NYC/SF-based Celestial Mechanics) |
[listen] ticker (2008) |
for 2 soprano saxophones, trombone, electric guitar,
piano, drum kit (premiered by the Dutch ensemble Klang) |
[listen] vectors (2008) |
for electric guitar quartet (written for the NYC-based Dither) |
empire (2008) |
motion sensitive sound and image installation (with artist Grace Kary) |
doors (2007) |
8-channel sound piece |
states (2007) |
sound and video piece (with artist Grace Kary) |
whether (2007) |
for harp, accordion, and string quartet |
creak speak (2005) |
multi-channel installation piece |
kaleidoscope (2005) |
for soloist and live elctronics |
[listen] lament
for solo computer (2005) |
a srangely emotional piece for computer (stereo) |
[listen] ripple (2005) |
for solo piano (written for new music pianist Danny Holt) |
A-1 structures (2004) |
live electronics |
[listen] BSQ5
(remix) (2004) |
for string quartet and drum-kit (written for the Penderecki String Quartet) |
étude, brutus? (2003) |
for solo piano with kick drum (written for new music pianist Danny Holt) |
[listen] *}{* (2003) |
for 3 flutes, 3 electric guitars, 2 violins, 2 marimbas, piano and drum-kit |
tubing (2003) |
for solo tuba and live electronics |
[listen] pindroe (2002) |
for piano trio and CD player (or sampler) |
[listen] sex
machine (2002) |
plunderphonic |
[listen] a
pass, yet not a... (2002) |
Beethoven's Appassionata re-worked into a distant echo of techno / IDM |
origamelisma (2002) |
for orchestra |
autechre variation (2001) |
for two pianos and digital deley |
[listen] a
song for freida (1999) |
moody, epic electronica using an Ennio Morricone sample and a drum loop |
[listen] klezzez-faire (1998) |
for alto and baritone saxophones and two Bb clarinets |
[listen] absinthe (1998) |
musique concrete - made out of the sound of a large brandy glass |
[listen] mind
and body (1995) |
early 4-track piece: alarm clock, guitar, traffic recordings & bill cosby samples |