Brother, Can
You Spare a Dime? (2010) |
for soprano, bass clarinet, keyboard, electric guitar,
violin, cello, vibes, and drum kit
(for the NYC-based NEWSPEAK) |
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tippy-toe (2009) |
for flute, bass clarinet, electric guitar, piano,
double bass
(for the NYC-based NOW Ensemble) |
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planet van (2009) |
for three sopranos
(written for the NYC/SF-based Celestial
Mechanics) |
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wire (2009) |
for 2 custom-made Bohlen-Pierce tuned clarinets and
Tritavophone (a Bohlen-Pierce percussion instrument), written for
and premiered by tranSpectra |
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blocks (2009) |
for rebec, flute, and riq |
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beepsh (2009) |
for the Princeton
Laptop Orchestra (PLOrk) |
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"nice
boots" (2008) |
for flute, bass clarinet, electric guitar, piano, double
bass
(for the NYC-based NOW
Ensemble) |
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star car (2008) |
for three sopranos
(written for the NYC/SF-based Celestial
Mechanics) |
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for 2 soprano saxophones, trombone, electric guitar,
piano, drum kit
(premiered by the Dutch ensemble Klang) |
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for electric guitar quartet (written for the NYC-based Dither) |
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empire (2008) |
motion sensitive sound and image installation (with
artist Grace Kary) |
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doors (2007) |
8-channel sound piece |
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states (2007) |
sound and video piece (with artist Grace Kary) |
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whether (2007) |
for harp, accordion, and string quartet |
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creak speak (2005) |
multi-channel installation piece |
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kaleidoscope (2005) |
for soloist and live elctronics |
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[listen] lament
for solo computer (2005) |
a srangely emotional piece for computer (stereo) |
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for solo piano (written for new music pianist Danny
Holt) |
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A-1 structures (2004) |
live electronics |
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for string quartet and drum-kit (written for the Penderecki
String Quartet) |
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étude, brutus? (2003) |
for solo piano with kick drum (written for new music
pianist Danny Holt) |
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for 3 flutes, 3 electric guitars, 2 violins, 2 marimbas,
piano and drum-kit |
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tubing (2003) |
for solo tuba and live electronics |
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for piano trio and CD player (or sampler) |
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plunderphonic |
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Beethoven's Appassionata re-worked
into a distant echo of techno / IDM |
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origamelisma (2002) |
for orchestra |
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autechre variation (2001) |
for two pianos and digital deley |
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moody, epic electronica using an Ennio Morricone sample
and a drum loop |
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for alto and baritone saxophones and two Bb clarinets |
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musique concrete - made out of the sound of a large
brandy glass |
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early 4-track piece: alarm clock, guitar, traffic
recordings & bill cosby samples |
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